THS: The Production Assistant

A blog where you can experience the ins and outs of the film biz in NYC through the eyes of someone starting from the bottom up (with a few celebrity sighting puzzles along the way).

Thursday, May 18, 2006

I shook his hand

This will probably the one time that I actually name names and tell you about someone I ran into while on set.

Last night, while working at an alarmingly inefficient pace, one of the actors told me to watch out for a friend of hers/his who would be stopping by. I'm like, sure, no problem. Once he tells me the name of the friend, I basically glue myself to the corner where the actor's camper is so I don't miss the "friend." No one else was around when the actor said this, so I had to contain my excitement. That containment lasted for about two seconds as I called a friend to a different radio channel and told them who was about to arive. (Needless to say, my "friend" came over immediately at the prospect of meeting the actors' "friend.")

In about five minutes, this tiny tiny man walks across the street with a big smile on his face. I extend my hand, say hello, introduce myself, and show him to the camper.

Seriously, Danny DeVito is a SMALL guy. Wow. Super nice and funny. But wow.

And oh yeah, Brett Ratner (Director of Rush Hour, X-Men 2) was there with some ridiculously beautiful girl. I wasn't as excited about that.

Monday, May 08, 2006

Waiting in the Night


Night. I am usually a big fan. Neon signs light up the city streets. People are walking around, going out to dinner, socializing, shopping, visiting, and…working. Working at night is not a first choice option for most of us. Some, I am sure, lean towards the nocturnal and prefer living on opposite schedules from the rest of the city, but I do not and there isn’t a thing I can do about it.

The past two weeks, and for that matter the majority of what we have left, will be night shoots. I am not excited about this. I thought I would be ok with it when I saw they were approaching on our schedule, but they are definitely putting a drain on me more than I thought they would. First, being on a different timetable than anyone I know can be a little much because I have no time to socialize with anyone that isn’t working with me. I find out days and sometimes even a week after something happens in the news or with a person I know. What makes this all worse is the fact that when we shoot, no one seems to have a sense of urgency. The director takes his/her time, almost painstakingly, and we end up never making our days. We film, the script is rewritten, we rehearse, the script is rewritten, we film…and then the sun comes up and we have to stop. Everyone wants to work. No one wants to sit around, wait, and do nothing for 6 hours before we film anything. Unfortunately, that is what is happening now, and will continue to happen for the next few weeks until we have spent all of our good will with the studio.

I think I would be more content with the situation if we were getting everything done. But we aren’t, and our schedule just keeps getting longer and longer. On the other hand, this is my job. I chose to do this. I love what I do. Sometimes it is easy and sometimes it is hard and I accept that.

But still, I’m not psyched for the upcoming nights.